POWIP Piece of Work In Progress

24Feb/103

Review: Disastral Projector

From David Thompson:

Some classic projection in an art review by a member of the Midlands Young Communist league. Published in the Guardian, naturally...

“In one room, Jane and Louise Wilson’s film Star City, shot on location, is shown on all four walls using four projectors. It’s an all-encompassing, smothering experience, symbolising the capitalist state’s suppression of the individual for the sake of profit.”

Mr Hamdani’s grasp of reality is such that it is not in fact his beloved Communism that was “all-encompassing,” “smothering” and intent on “suppression of the individual.” Instead, these characteristics are assigned – one might say projected – to the freewheeling West, to which so many reluctant communists tried to flee.

"The exhibition’s main theme is escapism – both through the space race and science-fiction. I took this to be symbolic of the escape from capitalist barbarism that the Soviet system as a whole achieved.”

Readers may be surprised to discover that barbarism was unknown in the Soviet Union and other communist nations, where altogether more civilised standards were adhered to and 100 million souls died of entirely natural causes.

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Dan Collins

Dan Collins is a dude who blogs. He used to blog elsewhere. Now he blogs here.

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  1. well, exsanguination could called a natural cause and starvation definitely is, so yeah; all those deaths in communist countries can be attributed to natural causes or at worst blamed on the west for selfishly failing to collapse so the worker’s paradise could’ve succeeded.

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  2. They keep trying and trying to find a substitute for religion, and they keep getting more and more primitive.

    Who knew we’d still need the commandment against idolatry in the 21st century?

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  3. “Which way were the rafts headed?” is the only response to such flatuous nonsense.

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